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Will AI Make Creative Workers Redundant? -Christopher Reid / WSJ

Software has turned human language translators into editors. ChatGPT and other programs may do something similar to writers and other artists.

An AI image created using DALL-E technology.
An AI image created using DALL-E technology. (Stefani Reynols/AFP)

By Christopher Reid

ChatGPT has some wondering if artificial intelligence will make human creativity obsolete. Released in November by Open AI, the chatbot can quickly write readable prose in response to natural-language prompts better than most people can. When one of my colleagues asked ChatGPT for a 250-word summary of Umberto Eco’s philosophy of translation, it produced a text that would put many educated adults to shame—and it did so within seconds. Reactions to this new AI have ranged from panic to wonder. It is potentially competition for anyone who writes for a living, including journalists and lawyers. Even visual artists are worried, given the dozen or so AI art generators that can already create virtually any image.

To me, the hubbub feels like déjà vu. As an academic translator, I witnessed a similar debate emerge surrounding the introduction in 2017 of DeepL, a ground-breaking form of neural machine translation. At the time, most people took one of two views: either the new technology would ultimately replace human translators or it would be insufficient and barely affect the field. It ended up being something in the middle.

Five years after the introduction of DeepL, most human translators no longer actually translate, but neither have they been entirely replaced by machines. Instead, they use the technology to make translations easier and faster. The software generates a base translation, then the human translator “post-edits,” fixing errors and making the text sound natural. But the feedback the translator provides also becomes part of the recursive loop in the AI’s continual self-improvement. The technology is poised to take over the translation process completely.

I could see image- and text-generating AIs having a similar effect. Just as translators now post-edit instead of translate, it seems likely that many creative workers will “post-create” instead of create. A machine will come up with an initial sketch of an idea, and then the artist or writer will tinker with it. Some may have too much pride to rely on a machine, but it will be hard to resist the advantage the technology offers. For translators and artists alike, AI reduces the cognitive load of creating. Imagine no longer straining to come up with a first draft. Work would flow much more easily.

AI creativity and human creativity already seem to be converging in music. Though artists have sampled tracks for decades, they’re now repurposing older tunes with machine-like regularity. Some of the biggest hits of 2022 were based on melodic lines from the 1980s. For music fans, the question may eventually be whether human beings or AI is better at such recombination. On a recent podcast, Smashing Pumpkins founder Billy Corgan noted his pessimism: “AI systems will completely dominate music. The idea of an intuitive artist beating an AI system is going to be very, very difficult.”

Choosing to use AI raises some uncomfortable questions. Are translators really translators anymore? If an artist takes a first sketch from a computer, is he still genuinely an artist? The casting about for initial words or brush strokes, often the most difficult part of drafting, seems to be the heart of human creativity. If that is given over to AI, the process seems more like an assembly-line production with human writers or artists serving as mere inspectors—checking the end product and then giving a stamp of approval.

And much like translators, writers and artists will find themselves inserted into a parasitic cycle of technological advance. As people correct the AI’s product, the technology will improve, coming to require less and less human involvement. This is true even if you don’t work with AI. Every artistic work or piece of writing that enters the internet could be added to the databases AI mines for its own creations.

The solution, it seems to me, is for creative types to revolt under the banner of copyright and take back their work from AI. Software companies should have to ask for permission to use images or text someone has created as fodder for technology. AI itself could be a vital help with this. If software finds that a user’s prompt yields work that closely resembles that of a particular artist, the user could be notified and asked to pay a fee.

Judging from the rising consternation of creative people on social media, such a revolution may be inevitable. I understand the existential angst of having the fruit of your labors taken by AI. Years ago, I manually translated a marketing text that was posted on the internet. Seemingly within days, my translation had found its way into Google Translate—word for word. Many artists and writers recognize the hard-won and essentially human aspects of their creativity and resent the notion that a soulless machine tries to counterfeit what they do. And should it succeed, they should at least be paid for it.


Mr. Reid is an academic translator and writer living in Frankfurt, Germany. Energiesnet.com does not necessarily share these views.

Editor’s Note: This article was originally published by The Wall Street Journal , on Enero 9, 2023. All comments posted and published on EnergiesNet.com, do not reflect either for or against the opinion expressed in the comment as an endorsement of EnergiesNet.com or Petroleumworld.

Original article

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energiesnet.com  01 10 2023

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